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How a lifelong engagement with experimental art informed the brilliant Czech-Brazilian philosopher Vilém Flussers early vision of a world dominated by glowing screens. nPredicting the importance of technology and images for the twenty-first century as early as the 1970s, Vilém Flusser warned, the basic structure of our thinking is about to experience a mutation. The bewitching images and screens that surround us could lead toward a centrally programmed, totalitarian society--or to another, better one characterized by dialogue and collaboration among humans and new forms of intelligence. n nIn this book on the idiosyncratic and prescient Czech-Brazilian philosopher, Martha Schwendener explores the profound effect of art on Flussers thought. The Society of the Screen reveals how Flussers lifelong engagement with experimental practices--from abstract painting and concrete poetry in Brazil to video, cybernetics, and photography in Europe and the United States--as well as his extensive involvement with the São Paulo Biennial informed his belief that we were moving from history--a civilization informed by linear writing--into post-history, dominated by technical images. n nSchwendener documents the importance of Flussers correspondence and collaboration with artists like Mira Schendel, Fred Forest, Wen-Ying Tsai, Harun Farocki, Louis Bec, and Karl Gerstner for the evolution of his ideas.n
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Vânzător: Libris.ro
Brand: Martha Schwendener
