The speaker in this extraordinary collection finds herself multiply dislocated: from her childhood in California, from her familys roots in Mexico, from a dying parent, from her prior self. The world is always in motion -- both toward and away from us--and it is also full of risk: from sharks unexpectedly lurking beneath estuarial rivers to the dangers of New York City, where, as Lim n reminds us, even rats find themselves trapped by the garbage cans theyve crawled into. In such a world, how should one proceed? Throughout Sharks in the Rivers, Lim n suggests that we must cleave to the world as it keep s] opening before us, for, if we pay attention, we can be one with its complex, ephemeral, and beautiful strangeness. Loss is perpetual, and each persons mouth is the same / mouth as everyones, all trying to say the same thing. For Lim n, its the saying--individual and collective -- that transforms each of us into a wound overcome by wonder, that allows the wind itself to be our own wild whisper.