n nRosemarys Baby is one of the greatest movies of the late 1960s and one of the best of all horror movies, an outstanding modern Gothic tale. An art-house fable and an elegant popular entertainment, it finds its home on the cusp between a cinema of sentiment and one of sensation. Michael Newtons study of the film traces its development at a time when Hollywood stood poised between the old world and the new, its dominance threatened by the rise of TV and cultural change, and the roles played variously by super producer Robert Evans, the films producer William Castle, director Polanski and its stars including Mia Farrow and John Cassavetes. n nNewtons close textual analysis explores the films meanings and resonances, and, looking beyond the film itself, he examines its reception and cultural impact, and its afterlife, in which Rosemarys Baby has become linked with the terrible murder of Polanskis wife and unborn child by members of the Manson cult, and with controversies surrounding the director.n